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You hear this record playing, in another room. You aren't sure- is it ancient French folksong? Celtic? Greek?.....Then you notice the electric piano- and the mysteries just continue........am/ss
Favorite track: Untitled 3.
Includes unlimited streaming of Znayesh Yak? Rozkazhy
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2nd Edition Clear Vinyl Ltd. to 500 Copies
Record/Vinyl + Digital Album
12" clear vinyl with insert and lyric sheet featuring translations from Ukrainian to English by Andreij Orel, with assistance from Alexander Klochkov and Ivan Shelekhov. Released in collaboration with Night School Records.
Includes unlimited streaming of Znayesh Yak? Rozkazhy
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Svitlana Nianio and Oleksandr Yurchenko are musicians with a long history in the still-mysterious Kiev Underground. Nianio’s first group Cukor Bela Smert [Sugar, The White Death] were active from the late 80’s through to the early 90’s, and following an intense period of touring, collaboration, experimentation and a string of mixtapes and self-published recordings, Nianio’s first official solo album ‘Kytytsi’ was released in 1999 by Poland’s Koka Records. Oleksandr Yurchenko, a longtime collaborator and a pivotal figure in the Kiev music scene, was instrumental in creating the Novaya Scena, a loose conglomerate of artists who encouraged each other to excavate both the sounds of the West and Ukrainian tradition. ‘Znayesh Yak? Rozkazhy’ (‘Know How? Tell Me’) is the duo’s most fully realised collaboration, an enchanting, complete world in which Yurchenko’s instrumentation and playfulness with form frames Nianio’s otherworldly soprano, recalling Liz Fraser steeped in contrapuntal melody and hymnal improvisation. Originally made available on a self-released cassette in 1996 (re-issued in 2017 by Ukraine’s Delta Shock label) where the album was twinned with ‘Lisova Kolekciya’ (re-issued on LP in 2017 by Skire) this is the debut release of ‘Znayesh Yak? Rozkazhy’ outside of Ukraine.
Recorded in an abandoned park in Kiev during a fertile period for artists and musicians following the collapse of the Soviet Union, ‘Znayesh Yak? Rozkazhy’ sees Nianio and Yurchenko combine Casio keyboard, hammered dulcimer, percussion, and Nianio’s unmistakeable soprano vocalisations to create music sympathetic to the specific locations in which they chose to record. Yurchenko’s contribution is perhaps more present on this recording than anything else we have heard from the duo. His percussive dulcimer playing provides the basis on which Nianio can weave delicate keyboard lines while playfully contorting her voice, shifting from a low register reminiscent of Nico to what could be perceived as the call of a bird or an animal in distress. Whatever the intent, the effect is haunting and beautiful in equal measure.
There’s a prevailing earthiness on the recordings, found in the warm hiss of the lo-fi means of recording or the grinding, unspecified sounds that occasionally accompany the melody, like drones created on the fly by hands trying to keep warm in the ice. A prevailing mood of fragility and beauty seeps from these melodies, delicate moments of clarity spun by the two musicians. ‘Znayesh Yak? Rozkazhy’ is a dream spun in twilight, a crystalline, private world where the listener feels both alien and welcome.
credits
released February 21, 2020
Recorded in Kiev, Ukraine, May 1995
Produced by Svitlana Nianio & Oleksandr Yurchenko
Mastered by John Hannon, 2018
Artwork by Svitlana Nianio
Design by Tom James Scott
An earthy yet somewhat chilly record about life, death, and reconnection, the latest from LOMA experiments with a turn towards the gloomy. Bandcamp New & Notable Apr 16, 2024
supported by 12 fans who also own “Znayesh Yak? Rozkazhy”
Short and sweet, no wasted moments, subtle guitar lines make it easy to miss how inventive they are. I actually appreciate the live to tape recordings including whatever is going on in the background; it's not obtrusive. And some electronic dabbling. An intimate album fans of bedroom folk, Vashti Bunyan, etc will appreciate and love more with repeated listens. Anthony Childs